Matt Molloy on Time Stacking

Readers of this blog will know that I am a big fan of Matt Molloy’s time stacking technique. He has taken an approach developed by starcircleacademy.com for long  astro photography time lapses and reimagined it as an approach for clouds.

“my favorite is often what I call “time stacking”. This technique of layering multiple still photos has been used for years to create “stars trails” from timelapse sequences.”

Matt’s technique is described in a blog post published on 500px.com last year. Its a great read and provides some insight into this approach.

Tutorial: Time Stack:

Published by Alexandra Kim · March 7th 2014

 

Today I’d like to introduce the brilliant Matt Molloy, photography enthusiast and budding professional. He’s the author of those amazing impressionist inspired photos. So many people have asked how to do this technique, and he’s been gracious enough to share it here with us! Please enjoy this Time Stack Tutorial.

I’ve always been amazed by timelapse photography and the unique perspective of time it gives you. Once I got into photography, it was a natural direction for me to go. The more I explored timelapse photography, the more I realized how versatile it is. You can get so much out of a timelapse; an interesting video; the perfect shot (selected from several hundred photos of the same scene), enhanced details and distortion correction (often done in astrophotography); or removing elements from a scene (like cars or people). Last, but not least, my favorite is often what I call “time stacking”. This technique of layering multiple still photos has been used for years to create “stars trails” from timelapse sequences.

Here is an example of a “star trail” image I created from a series of 305 photos.

Once I made a few star trail images, I wondered why I’ve never seen this technique used on daylight timelapses. I tried it and, after a little tweaking here and there, I was astounded by the resulting images! They are kind of like a super long exposure, showing a large chunk of time in a single image, which is very much like the Impressionist movement that some clever painters came up with around the year 1870.

Here is my very first attempt at a daylight “timestack”.

Here’s what you need to make a “time stack” yourself:

  1. A camera and an intervalometer (a device to make your camera take pictures repeatedly at a given interval). If you have a Canon camera, like I do, there’s a good chance that you can download free software called Magic Lantern that gives you lots of new features including an intervalometer built right into your camera. Perhaps there’s similar software for other brands of cameras, and if not, most cameras will be able to use a remote control that includes intervalometer function. Here’s a bunch of different remotes.

Continue reading at 500px / Blog / Tutorial: Time Stack.

 

2014 in review

The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

Here’s an excerpt:

A New York City subway train holds 1,200 people. This blog was viewed about 6,000 times in 2014. If it were a NYC subway train, it would take about 5 trips to carry that many people.

Click here to see the complete report.

How I did this: “In The Round Images”

I am expanding the scope of the Photo Impressionism Project to include a discussion concerning photo impressionistic techniques. The project is called “The Lab” and am opening it up to all photo impressionists who are interested in sharing “how I did this”. The idea is to create a discussion; what works and what you might say… not so much.

interested?  Drop me a line at https://photoimpressionism.ca/contact/

Till then you might enjoy my blog post explaining how I create in the round images.

What I Have Learned: “In The Round Images” – Stephen D’Agostino Photography.

Daylighted – Blog – Impressionistic Photography

Using long exposure, multiple exposure, digital stitching and photo stacking, photographers are going beyond the limits of photo-realistic, representative work. Photographers are demonstrating their imagination, inspiration, and interpretation in their efforts to move from realism to emotion and expression. Like the original impressionists painters, these photographers are incorporating movement as the fundamental and essential feature of the experience of the art. This art seems to transcend the literal and become the stuff of dreams, movement and imagination.

via Daylighted – Blog – Discover, enjoy and purchase fine art photography – About us.

Hal Eastman: Photo Impressionist

Vol 6 of Photograph is out and features a great portfolio/article on Hal Eastman. You can buy  a copy at http://craftandvision.com/products/photograph-no-6.

Cover - Photograph Vol 6
Cover – Photograph Vol 6

Eastman’s portfolio focuses on slow shutter ICM images.   They are really quite ethereal; almost painterly. The portfolio alone is worth the $8 magazine price.

Natural Dance- Hal Eastman
Natural Dance- Hal Eastman

The portfolio is drawn from two recent collections. I prefer the “Natural Dance” images over his “Horse Rider” collection. The slow shutter adds to the mystery created by his use of natural locations. Because of the trees they have me thinking of Emily Carr although the subject matter is very different.

Eastman’s website is also worth a look. http://www.haleastman.com/ . He has a great collection called “Natural Rhythms” which is quite inspiring.

Natural Rhythms – Hal Eastman.

And don’t forget about the words. Eastman’s interview offers a glimpse into his process and creative ideology. Definitely worth a look.

A New Exhibition Asks, What Is a Photograph, Anyway?

20100731-_DSF1497-Edit

Looking back at the pictorialists (the original photo impressionists) it is clear that photography has been about vision since it’s earliest days. But with the advent of straight photography and later mass media photojournalism we began to test photographs against “truth” forgetting that every frame represents a series of choices that allow the truth to be shaped.

I like the question posed by this article and the exhibition and book behind it.

Definitely worth a look.

Bob Crutcher: Photo Impressionist

Legs: One afternoon on Water Street. (ICM) by Bob Crutcher
Legs: One afternoon on Water Street. (ICM) by Bob Crutcher

I have been following Bob Cruthcher on Flicker for a couple of months now and enjoy his use of intentional camera movement (ICM) together with a slow shutter speeds to produce visually compelling images.

One of my goals this year is to feature the work of photographers who are experimenting with impressionistic technique.

I have been following Bob Cruthcher on Flicker for a couple of months now and enjoy his use of intentional camera movement (ICM) together with a slow shutter speeds to produce visually compelling images. Crutcher lives in St. John’s Newfoundland. Looking at his Flickr Photostream St. John’s is visually rich environment.

As one door closes... ICM. One afternoon on Water Street
As one door closes… ICM. One afternoon on Water Street by Bob Crutcher

Earlier this year Crutcher told me that “Legs” (the lead image above) was his favourite impressionistic photograph. It is a strong composition with lots of visual interest drawing the eye from left to right. I like the saturated colour and strong sense of motion. The exif data tells a lot about the technique. Shot using a Canon Rebel and a medium telephoto at 1/8th of a second, the camera appears to be moved slightly vertically during the exposure.

One afternoon on Water Street by Bob Crutcher
One afternoon on Water Street by Bob Crutcher

Vertical ICM isn’t new. Freeman Patterson, another east coaster, used it effectively in the mid 90’s to create trees with height and weight to rival an Emily Carr. But with a deft hand and a new point of view Crutcher has given the approach fresh look.

I also like the compositional range. Some images are tight crops; looking for the picture in the picture. Others are wide perspective like the one below. Nicely done Bob.

Winter fun by Bob Crutcher
Winter fun by Bob Crutcher

Peace on earth and good will to all…

peace on earth and good will to all
peace on earth and good will to all

Its a busy time of year and easy to forget to pause and reflect on what is good and what matters – best wishes to all and thanks for your support of my photography projects photoimpressionism.ca/ and dagostino.ca/

The image is the Christmas Tree at Toronto City Hall shot in the round meaning about 40 images were captured all around the tree then merged together. The image is part of a series posted on Flickr at http://www.flickr.com/photos/photo-impressionism/

It’s All In The Detail

A Photo Impressionistic Treatment of Sunflowers In The Round: Detail 2 by Stephen D'Agostino.
Sunflowers In The Round: Detail 2 by Stephen D’Agostino. This picture was featured on Flickr’s Explore Page on October 7, 2013.

Some thoughts on creative cropping of an “in the round image” from my personal photography blog http://wp.me/p2Cu15-5D

Worth a look: Photographic Punctuation

I follow the blog photographic punctuation because of the strong impressionistic images and thoughtful commentary. Many of the images are taken with an iPhone.

If you wander through the images on the blog you will notice a grittiness and contrastingly a dreaminess. Take this one for example. The low resolution black and white creates drama but in a way that generalizes the subject; drawing the viewer in. The strong composition is not just because of the artist’s adherence to the rule of thirds, but look at the juxtaposition of the background reflection. Nicely done!

Definately worth a look.

Photographic Punctuation

I knew the phone would be passed to me. I knew this once she took the call. She showed me the caller ID as it rang and vibrated in her palm. Hello, she said, her gaze fixed on me. Yes, she said, this is me. She lowered her head and listened intently. Sorry, she said, can you repeat, she said. She turned from me and walked a few steps ahead. I see, she said. Yes, she said. Yes, what? I said. She turned again and raised her head and looked at me, mouthing something. What? I said. With her arm and hand fully extended she passed me the phone. You talk, she said. Hello, I said. 

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