Tag Archives: multiple exposure

Stunning Use of Multiple Exposure – Beijing Olympics

Multiple exposure photography has featured prominently in recent Olympic Games.

I love how the this technique is used to tell the story.

This is worth a look. Note that the New York Times may require that you set up a free account to see this page.

www.nytimes.com/interactive/2022/02/19/sports/olympics/winter-olympics-photos-pictures.html

How I made this: Photo Impressionist Waves

There is a balance in impressionist photography between the moment you remember and the  precise instant of the photograph. My exploration has focussed on finding approaches that expand time to become that moment. Opacity Blend Image Stacking produces a result that comes close to that balance. This is what I do.

1. create the stack using Lightroom

 

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The images are selected for the stack. © Stephen D’Agostino

  •  The images for this photo impressionistic wave were shot at 60 fps using Nikon’s N1 V3. I shoot hand held being careful to maintain a constant point on the subject even though the camera is panning. The images are then imported into Lightroom.
  • The images are then selected for the stack. The more images you use, the more impressionistic the effect.

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Open as layers in Photoshop. © Stephen D’Agostino

  • Right click to reveal the menu then select +   .
  • Since I often use Starcircleacademy’s Advanced Stacker app to create additional texture I also export the images to a separate folder at this point.

2. digital darkroom in Photoshop

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Opacity blend to create the photo impressionistic effect. © Stephen D’Agostino

  • In Photoshop the stack has to be blended to produce the base image. A good blend can be achieved by starting at the bottom of the stack and then reducing the opacity of the layer above it by about 50% until you reach 3-5%. Don’t be mechanistic with this step. Creativity with opacity significantly impacts on the finished result.

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At this step you have a good base image. © Stephen D’Agostino

  • I merge the stack after balancing the opacity to produce a manageable file size. Note the blend results in a flat image. I address that later in my workflow.

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The Advanced Stacker App creates some nice textures. © Stephen D’Agostino

  • If I am going to use the Advanced Stacker App I run it here and then drag the layer over to my stacked image for blending. Note that the App is really just another opacity blend using the lighten mode. In doing so I find it often emphasises movement.

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Create the base image using an opacity blend. © Stephen D’Agostino

  • Again I opacity blend until I am happy with the image.

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This white point/black point was achieved using Vincent Versace’s action. © Stephen D’Agostino

 

 

 

  • The more traditional darkroom work begins at this point. I colour balance using the black point/white point/midpoint  technique.

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Balance the white point/black point layers. © Stephen D’Agostino

 

 

  • Often the black point/white point layers have to be balanced.

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Add contrast. © Stephen D’Agostino

 

 

  • The process to this point has produced a flat lifeless image as a result the image averaging that has taken place. I add dimensionality to my photo impressionistic images using Nik’s Pro Contrast filter.

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Nik’s Tonal Contrast Filter. © Stephen D’Agostino

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Midtone Contouring. © Stephen D’Agostino

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I lie to crop at the end of my process. © Stephen D’Agostino

  • While many photographers crop at the beginning of their darkroom process to reduce the file size, I like to see what emerges and crop based on the results.

3. the final image

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Waves breaking on a St Lucian beach. © Stephen D’Agostino

 

Matt Molloy: stacking time

I really can’t get enough of Matt Molloy’s time stacked impressionistic images. Big blocks of colour and form with clouds reminiscent of  Canadian impressionist painters Lawren Harris (The Old Stump) and Emily Carr (Above the Gravel Pit). And that is appropriate given Molloy’s roots in small town Ontario.

“My time stack photos are much like a modern version of impressionism. By combining multiple photos into one image, it shows how light and other elements change over time. This gives a unique sense of movement in an otherwise still image.”

Power Plant - a great example of photo impressionism
Power Plant by Matt Molloy: 263 photos merged into one image. “I wish I had set up a little earlier, so the lines made by the clouds went all the way to the horizon. I still like the way it turned out, I just hope the ice is sturdy enough for me to try this again.”

According to Molloy’s biography his artistic pursuits are multidisciplinary; music, painting, drawing and experimental time-lapse photography. I think you can see the influence of the painter in his work .

I really his Power Plant (above). The blocks of colour remind me of the northern lights and that contrast against the silhouette of the power plant with a hint of snow and ice is striking. If you look at the cloud blocks close to the horizon the colour is rich with nice smooth shapes drawing your eye and as your eye travels up the staccato effect trails off to the edge.

Cloud Chaos Cropped - photo impressionistic treatment of moving clouds.
Cloud Chaos Cropped by Matt Molloy. “Another photo stack, made from a daytime timelapse of clouds passing over Lake Ontario. Check out the video… My latest timelapse creation… http://www.youtube.com/watch?v=PLuZhXZztGw&feature=youtu.be%22”

This is my personal favourite in his current portfolio. In two dimensions Molloy  has been able to capture a moment in time we have all experienced; boiling clouds before a summer storm.

There is real drama close to the horizon. Again this in this image our eye moves to the top edge where the clouds start to lose their form as they bleed off the page.

Sky Sculptures - another great example of photo impressionism
Sky Sculptures by Matt Molloy. “This is an older timelapse. I’ve already done a photo stack with the photos, but this time I only used 75 of them. I like how some of the blue of the sky is still showing. In the other version it’s pretty much all clouds. http://www.flickr.com/photos/matt_molloy/7976402977/in/photostream”

Recently 500px featured a tutorial by Molloy describing this impressionistic technique.  Basically he uses the “lighten” opacity blend mode to emphasize the light elements while leaving the darker unmoving elements untouched. You can find the tutorial at  http://500px.com/blog/1051/tutorial-time-stack?page=1 . I am looking forward to trying it with some of my favourite subjects for photo impressionism.

“The exposure I’ve received through 500px has been great. I didn’t expect the “time stacking” tutorial to get so much feedback, but I’m glad it did. It’s brought me lots of new followers and likely got me some sales, so the hard work payed off.”

Twisted Sky - an example of photo impressionism
Twisted Sky by Matt Molloy. “90 photos merged into one image. I found this timelapse with some interesting cloud action while digging through old photos for my Tumblr page. matt-molloy.tumblr.com/ It’s really neat to see the clouds move like that, I think it’s the only time I’ve captured it on “film” Check out the timelapse video! http://www.youtube.com/watch?v=C4ij9wAG1BU”

What I find more interesting than the technique is its origins. Almost every photo impressionist I follow had a eureka moment; an idea spawned from something unrelated that compelled  them to produce photo impressionistic images.

Molloy started his journey with time lapse time photography. The time tracking stacking technique has been used for years in astrophotography to produce star trails.

“Once I made a few star trail images, I wondered why I’ve never seen this technique used on daylight timelapses. I tried it and, after a little tweaking here and there, I was astounded by the resulting images! They are kind of like a super long exposure, showing a large chunk of time in a single image, which is very much like the Impressionist movement that some clever painters came up with around the year 1870.”

Its worth looking at the time lapse video Molloy produced to see the genius here. Time lapse compresses time into a few moments. Time stacking captures the moment by compressing time into a single frame. It’s an idea that I have struggled with for many years (see my artist’s statement for example).

Twenty Minute Sunset. a photo impressionistic sunset.
Twenty Minute Sunset by Matt Molloy. “313 photos merged into one image using the lighten layer-blending mode in photoshop. As the title implies, this was about 20 minutes of shooting. (at 4 second intervals) I was a little late shooting this timelapse, so it’s another one from my backyard. I’m lucky to live in such a photogenic area.”

I am always interested to know which images are an artist’s favourites. Molloy identified the following 3 and gave me his thoughts on why.

Sunset Spectrum
Sunset Spectrum by Matt Molloy “396 photos merged into one image using the lighten blending mode in photoshop. I think this one pretty much covers the colour spectrum of sunsets, lacking only the darker reds. I can’t get enough of this technique!”

Its hard not to fall in love with Sunset Spectrum; big colour, big sky, classic pastoral scene.  To me this one feels like a crossover between the best elements of an impressionist painting and a traditional one. The contrast in styles is great here as it is  in his other examples. Molloy told me that “Sunset Spectrum” is one of his favorite time stacks because “it has so many different colours in the sky. I think the barn and the field are a nice anchor for the image.”

Icy Sunset a photo impressionistic image by Matt Molloy
Icy Sunset “400 photos merged into one image using the lighten layer-blending mode in photoshop. Even though it was extremely cold and windy, it was worth going back here for a sunset timelapse. It was a good one! Luckily my tripod weight (a brick on a rope) kept my camera fairly steady, but it didn’t help with the water spraying into the air (from the waves crashing into the piles of ice) and onto my lens. The fact that I was shooting at f/11 didn’t help that either. (you can see a few spots near the center of the photo from water/ice on the lens catching the sunlight) Still happy with the way this turned out!”

Icy Sunset has some of the elements I like in Power Plant but here the jagged ice is a rough reflection of the staccato clouds above. for that reason I think it is a powerful image.

According to Molloy “Icy Sunset is one of my favorite time stacks because it shows clouds that were moving in different directions, but the thing I like most is the crazy foreground. Every year the ice breaks up and it often gets piled up along the shore, it’s always an amazing sight to see.”

Crocheting Clouds (below) is an explosion of colour.  In many ways it best captures my memories of late August twilight in Muskoka.  For a real treat let your eye wander through the reflections in the water.

“Crocheting the Clouds ” was selected by Molloy as a favorites “because of the rich colours of the clouds. It’s nice that they were reflected in the water too. I think the texture of the clouds is interesting and their paths seem to radiate from the big tree, which leads the eye nicely.”

Crocheting the Clouds a photo impressionistic image using time stacking
Crocheting the Clouds by Matt Molloy. “186 photos of the sunset merged into one image using the lighten layer-blending mode in photoshop. I like the pattern in the clouds created from the interval between shots.”

I think Molloy is an artist to watch.  My Modern Met interviewed Molloy last year and it is worth a read. You can see more of Molloy’s work of Flickr and 500px. He sells his work on FineArtAmerica.com. Or you can follow him on Twitter.

Sky Streams and Floating Mountains - an example of photo impressionism
Sky Streams and Floating Mountains by Matt Molloy. “852 photos merged into one image using the lighten layer-blending mode. Two kinds of clouds moving and changing very differently.”

 

It’s All In The Detail

A Photo Impressionistic Treatment of Sunflowers In The Round: Detail 2 by Stephen D'Agostino.
Sunflowers In The Round: Detail 2 by Stephen D’Agostino. This picture was featured on Flickr’s Explore Page on October 7, 2013.

Some thoughts on creative cropping of an “in the round image” from my personal photography blog http://wp.me/p2Cu15-5D