Using long exposure, multiple exposure, digital stitching and photo stacking, photographers are going beyond the limits of photo-realistic, representative work. Photographers are demonstrating their imagination, inspiration, and interpretation in their efforts to move from realism to emotion and expression. Like the original impressionists painters, these photographers are incorporating movement as the fundamental and essential feature of the experience of the art. This art seems to transcend the literal and become the stuff of dreams, movement and imagination.
I really can’t get enough of Matt Molloy’s time stacked impressionistic images. Big blocks of colour and form with clouds reminiscent of Canadian impressionist painters Lawren Harris (The Old Stump) and Emily Carr (Above the Gravel Pit). And that is appropriate given Molloy’s roots in small town Ontario.
“My time stack photos are much like a modern version of impressionism. By combining multiple photos into one image, it shows how light and other elements change over time. This gives a unique sense of movement in an otherwise still image.”
According to Molloy’s biography his artistic pursuits are multidisciplinary; music, painting, drawing and experimental time-lapse photography. I think you can see the influence of the painter in his work .
I really his Power Plant (above). The blocks of colour remind me of the northern lights and that contrast against the silhouette of the power plant with a hint of snow and ice is striking. If you look at the cloud blocks close to the horizon the colour is rich with nice smooth shapes drawing your eye and as your eye travels up the staccato effect trails off to the edge.
This is my personal favourite in his current portfolio. In two dimensions Molloy has been able to capture a moment in time we have all experienced; boiling clouds before a summer storm.
There is real drama close to the horizon. Again this in this image our eye moves to the top edge where the clouds start to lose their form as they bleed off the page.
Recently 500px featured a tutorial by Molloy describing this impressionistic technique. Basically he uses the “lighten” opacity blend mode to emphasize the light elements while leaving the darker unmoving elements untouched. You can find the tutorial at http://500px.com/blog/1051/tutorial-time-stack?page=1 . I am looking forward to trying it with some of my favourite subjects for photo impressionism.
“The exposure I’ve received through 500px has been great. I didn’t expect the “time stacking” tutorial to get so much feedback, but I’m glad it did. It’s brought me lots of new followers and likely got me some sales, so the hard work payed off.”
What I find more interesting than the technique is its origins. Almost every photo impressionist I follow had a eureka moment; an idea spawned from something unrelated that compelled them to produce photo impressionistic images.
Molloy started his journey with time lapse time photography. The time tracking stacking technique has been used for years in astrophotography to produce star trails.
“Once I made a few star trail images, I wondered why I’ve never seen this technique used on daylight timelapses. I tried it and, after a little tweaking here and there, I was astounded by the resulting images! They are kind of like a super long exposure, showing a large chunk of time in a single image, which is very much like the Impressionist movement that some clever painters came up with around the year 1870.”
Its worth looking at the time lapse video Molloy produced to see the genius here. Time lapse compresses time into a few moments. Time stacking captures the moment by compressing time into a single frame. It’s an idea that I have struggled with for many years (see my artist’s statement for example).
I am always interested to know which images are an artist’s favourites. Molloy identified the following 3 and gave me his thoughts on why.
Its hard not to fall in love with Sunset Spectrum; big colour, big sky, classic pastoral scene. To me this one feels like a crossover between the best elements of an impressionist painting and a traditional one. The contrast in styles is great here as it is in his other examples. Molloy told me that “Sunset Spectrum” is one of his favorite time stacks because “it has so many different colours in the sky. I think the barn and the field are a nice anchor for the image.”
Icy Sunset has some of the elements I like in Power Plant but here the jagged ice is a rough reflection of the staccato clouds above. for that reason I think it is a powerful image.
According to Molloy “Icy Sunset is one of my favorite time stacks because it shows clouds that were moving in different directions, but the thing I like most is the crazy foreground. Every year the ice breaks up and it often gets piled up along the shore, it’s always an amazing sight to see.”
Crocheting Clouds (below) is an explosion of colour. In many ways it best captures my memories of late August twilight in Muskoka. For a real treat let your eye wander through the reflections in the water.
“Crocheting the Clouds ” was selected by Molloy as a favorites “because of the rich colours of the clouds. It’s nice that they were reflected in the water too. I think the texture of the clouds is interesting and their paths seem to radiate from the big tree, which leads the eye nicely.”
I think Molloy is an artist to watch. My Modern Met interviewed Molloy last year and it is worth a read. You can see more of Molloy’s work of Flickr and 500px. He sells his work on FineArtAmerica.com. Or you can follow him on Twitter.