Eastman’s portfolio focuses on slow shutter ICM images. They are really quite ethereal; almost painterly. The portfolio alone is worth the $8 magazine price.
The portfolio is drawn from two recent collections. I prefer the “Natural Dance” images over his “Horse Rider” collection. The slow shutter adds to the mystery created by his use of natural locations. Because of the trees they have me thinking of Emily Carr although the subject matter is very different.
I have been following Bob Cruthcher on Flicker for a couple of months now and enjoy his use of intentional camera movement (ICM) together with a slow shutter speeds to produce visually compelling images.
One of my goals this year is to feature the work of photographers who are experimenting with impressionistic technique.
I have been following Bob Cruthcher on Flicker for a couple of months now and enjoy his use of intentional camera movement (ICM) together with a slow shutter speeds to produce visually compelling images. Crutcher lives in St. John’s Newfoundland. Looking at his Flickr Photostream St. John’s is visually rich environment.
Earlier this year Crutcher told me that “Legs” (the lead image above) was his favourite impressionistic photograph. It is a strong composition with lots of visual interest drawing the eye from left to right. I like the saturated colour and strong sense of motion. The exif data tells a lot about the technique. Shot using a Canon Rebel and a medium telephoto at 1/8th of a second, the camera appears to be moved slightly vertically during the exposure.
Vertical ICM isn’t new. Freeman Patterson, another east coaster, used it effectively in the mid 90’s to create trees with height and weight to rival an Emily Carr. But with a deft hand and a new point of view Crutcher has given the approach fresh look.
I also like the compositional range. Some images are tight crops; looking for the picture in the picture. Others are wide perspective like the one below. Nicely done Bob.
Its a busy time of year and easy to forget to pause and reflect on what is good and what matters – best wishes to all and thanks for your support of my photography projects photoimpressionism.ca/ and dagostino.ca/
The image is the Christmas Tree at Toronto City Hall shot in the round meaning about 40 images were captured all around the tree then merged together. The image is part of a series posted on Flickr at http://www.flickr.com/photos/photo-impressionism/
I follow the blog photographic punctuation because of the strong impressionistic images and thoughtful commentary. Many of the images are taken with an iPhone.
If you wander through the images on the blog you will notice a grittiness and contrastingly a dreaminess. Take this one for example. The low resolution black and white creates drama but in a way that generalizes the subject; drawing the viewer in. The strong composition is not just because of the artist’s adherence to the rule of thirds, but look at the juxtaposition of the background reflection. Nicely done!
I knew the phone would be passed to me. I knew this once she took the call. She showed me the caller ID as it rang and vibrated in her palm. Hello, she said, her gaze fixed on me. Yes, she said, this is me. She lowered her head and listened intently. Sorry, she said, can you repeat, she said. She turned from me and walked a few steps ahead. I see, she said. Yes, she said. Yes, what? I said. She turned again and raised her head and looked at me, mouthing something. What? I said. With her arm and hand fully extended she passed me the phone. You talk, she said. Hello, I said.
It’s an interesting story. But what caught my eye is the use of a strong photo impressionistic image as the lead. A wonderful long exposure photo showing members of the Vienna State Opera Ballet performing in February 2013.
More and more I see photo impressionistic images in main stream media which is a clear indicator of the genre’s acceptance.
A long exposure photo shows members of the Vienna State Opera Ballet performing on stage at the Stage opera house in Vienna in February 2013. (Herwig Prammer/Reuters)